Derek (he/him/his)

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darbees:
“Julia Shiplett on Up Next
”
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darbees:
“Julia Shiplett on Up Next
”
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darbees:
“Julia Shiplett on Up Next
”
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darbees:
“Julia Shiplett on Up Next
”
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darbees:

Julia Shiplett on Up Next

(via hypokeimena)

  • 5 years ago > darbees
  • 55573
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reallyreallyreallytrying:

the matrix is NOT the movie to watch if you’ve had a bad day on the computer

(via consolecadet)

  • 5 years ago > reallyreallyreallytrying
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glumshoe:

somehow, out of a whole universe of possible uncomfortable details about Ferengi anatomy, the idea that from the neck down they might be indistinguishable from humans is somehow the worst

(via consolecadet)

  • 5 years ago > glumshoe
  • 1887
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bone-and-brawn:

image

(x)

(via stuffboblikes)

  • 5 years ago > bone-and-brawn
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beccap:

“But the 8-hour workday is too profitable for big business, not because of the amount of work people get done in eight hours (the average office worker gets less than three hours of actual work done in 8 hours) but because it makes for such a purchase-happy public. Keeping free time scarce means people pay a lot more for convenience, gratification, and any other relief they can buy. It keeps them watching television, and its commercials. It keeps them unambitious outside of work. We’ve been led into a culture that has been engineered to leave us tired, hungry for indulgence, willing to pay a lot for convenience and entertainment, and most importantly, vaguely dissatisfied with our lives so that we continue wanting things we don’t have. We buy so much because it always seems like something is still missing.”

— Your Lifestyle Has Already Been Designed

(via drunkenstein)

Source: raptitude.com

  • 6 years ago > beccap
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nomehablen2:
“this is so fucking funny
”
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nomehablen2:

this is so fucking funny

(via caduceator)

  • 6 years ago > melonmemes
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maplebungus:

lonelyoperator:

image

this post has been a wild ride for me

(via consolecadet)

  • 6 years ago > summercrane-deactivated20201109
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arpeggia:
“ Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016
Artist’s statement:
“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the...
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arpeggia:
“ Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016
Artist’s statement:
“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the...
Zoom Info
arpeggia:
“ Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016
Artist’s statement:
“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the...
Zoom Info
arpeggia:
“ Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016
Artist’s statement:
“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the...
Zoom Info
arpeggia:
“ Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016
Artist’s statement:
“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the...
Zoom Info
arpeggia:
“ Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016
Artist’s statement:
“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the...
Zoom Info
arpeggia:
“ Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016
Artist’s statement:
“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the...
Zoom Info

arpeggia:

Diane Meyer - Time Spent That Might Otherwise Be Forgotten, 2011-2016

Artist’s statement:

“In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the embroidery into a hand-sewn pixel structure. As areas of the image are concealed by the embroidery, small, seemingly trivial details emerge while the larger picture and context are erased. I am interested in the disjunct between actual experience and photographic representation and photography’s ability to supplant memory. By borrowing the visual language of digital imaging with an analog process, a connection is made between forgetting and digital file corruption. The tactility of the pieces also references the growing trend of photos remaining primarily digital- stored on cell phones and hard drives, but rarely printed out into a tangible object.”

(via hypokeimena)

  • 6 years ago > arpeggia
  • 5981
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idiot-dirtblock:

honestly, idc if u have a dirt hut or a huge castle. once u place that furnace next to that crafting table, that theres a home

(via leaf-hop-per)

  • 6 years ago > idiot-dirtblock
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bogfox:

“while I don’t want to speak on behalf of all trans men everywhere, I have noticed that sometimes we seem to enter into the project of transition with the following assumption: “I’m going to transition into something bad, that will make my life actively worse, make finding community more challenging, abandoning the moral project of being a woman, but there’s nothing to be done about it, so here goes.” This leads to, among other things, Glumness and Bad Affect, neither of which make suitable bedfellows for the Joy of Embodiment or Autonomy. I wonder sometimes if at least part of what that assumption does for us is protect us from having to defend our choices on the grounds of desire – Obviously I don’t want to be a man, I simply have to be, and must resign myself to being the least worst type of man possible. Sorry! Sorry. I’m trying to delete it.”

— Daniel Mallory Ortberg, (excerpt from ‘Everybody’s Talkin’ (At Me)’ via  The Shatner Chatter) 

(via consolecadet)

  • 6 years ago > bogfox
  • 1698
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Derek (he/him/his)

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